Another Tuning Question

For Anything and Everything to do with Flute Playing and Music

Moderators: Classitar, pied_piper, Phineas

Post Reply
User avatar
MissyHPhoenix
Posts: 368
Joined: Fri Mar 14, 2008 5:19 pm
Location: Hammond, LA, USA

Another Tuning Question

Post by MissyHPhoenix »

Still thinking on the tuning issue.

Does the size of the room in which you practice come into play with a flute's intonation? For example: I practice at home in my bedroom, which is fairly small. I always use an electronic tuner and I consistently pull my headjoint out about 1/4 inch. Even taking into account the embouchure battles I've been having, this has been pretty standard for me in my practice sessions. However, when I play with a group at the school, in 3 different rather large rooms, I am always sharp and have to pull the headjoint out about 1/2 inch, sometimes more. I use the same tuner at both locations, set to the same measures. We tune to either the 1st clarinet or the oboe, depending on who is present. According to the tuner, they are right on target. (I checked because I was wondering if the rest of us were tuning to a different pitch .... ).

I can cheerfully say that this problem could simply be my fault because I could be tightening up or something else weird. I have, however, been making a very concerted effort to be consistent with my playing and have been watching it carefully. I also notice that the saxophones, who sit behind me usually, tend to be pretty sharp .... is sharp-ness catching, like the flu?

Any ideas? I know Phineas will chime in .... :lol:
Missy

Why Be Normal????

User avatar
Phineas
Posts: 962
Joined: Sat Jan 22, 2005 1:08 am

Re: Another Tuning Question

Post by Phineas »

MissyHPhoenix wrote:Any ideas? I know Phineas will chime in .... :lol:
You rang :)

I do not know about the room size. However, I have noticed that I use to play sharp when I could not hear myself well, sight reading a new piece/tune, or when I play in a large/loud group. Especially if I played with a rock or jazz fusion band. It was almost like a survival instinct. It took a while to get out of the habit of tightening up, and over blowing.

I think comfort is a key component when it comes to playing in tune, and efficiently.The more comfortable you are while performing, the more control you have over your instrument.

I am sure other people will have their opinions. This is just form my experience.

Phineas

User avatar
MissyHPhoenix
Posts: 368
Joined: Fri Mar 14, 2008 5:19 pm
Location: Hammond, LA, USA

Re: Another Tuning Question

Post by MissyHPhoenix »

Ahh, now that makes a lot of sense! I didn't think at all about the "over-blowing" factor .... but it is a fact that quite frequently the flutes are asked to play out more so that we can be heard against the rest of the group (altho the community band flutes are asked to play SOFTER sometimes!!! Even the director is blown away by that one).

Thanks Phineas! That answer right there is why I ask a lot of questions here on the forum -- there is so much accumulated knowledge here that just about anything can be discussed logically and intelligently. Sometimes the answer is quite obvious but the lightbulb just doesn't go off until someone suggests it.

Now to work on relaxing and not playing sharp when in the group .....
Missy

Why Be Normal????

Post Reply